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We are then treated to some familiar Pixar progression, like abandonment, solidarity, coming back to friends, and the passing of the torch. "Toy Story 3" starts off as comfortably as possible, with our friends Woody and Buzz Lightyear doing what they do the aying with Andy in his world of make-believe adventure. And naturally, Pixar would be at the forefront, leading the cavalry charge of digital animation ranging from great to gawd-awful. And it was a hit, ensuring 3d animation a place right alongside (more or less) 2d animation. This was a pretty bold move, a calculated stroll to the edge of the cliff and a daring leap off into the thin air of creativity and innovation. I am a 28 year old male, who, fifteen years ago, was fresh into the teen years of supposed adolescence at the release of some weird, 3d animated movie (wait, they can animate with computers?) entitled "Toy Story". I feel it relevant somehow to divulge my age, as it somehow validates the powerful emotions evoked throughout the film.

This philosophy is doubly applicable to Pixar's "Toy Story 3", the storyline-ending outro of the beloved Toy Story, uh, story. The best magic tricks in the world are ones that cannot be unraveled, reverse engineered or dissected to figure out exactly how they are pulled off.